Oh, and one more bonus, the inside of the yoke is fully padded so no metal on instrument contact, which is an enormous benefit of the Heritage capo. In addition to the capo’s functionality, I also found the packaging quite attractive with its leather carrying pouch and gift box presentation. I also found out that the capo’s fretting pad could be replaced which definitely adds to its longevity and usability as time goes on. I was skeptical of this, but I tried the capo on a Gibson Southern Jumbo, a Santa Cruz Vintage Southerner, a Martin HD35, and a 1935 Martin 0-17… the capo worked beautifully on each guitar. This technology allows for the pad that touches the strings to adapt to various fingerboard radii and create a buzz-free capo situation. I also was very impressed by its versatility due to G7th’s new development, A.R.T. It’s a sleek polished stainless steel and it looks quite classy. I like the aesthetic of the Heritage capo. So my impressions of the G7th heritage capo were for the most part on the very good end of the scale with only one main concern, which I will shed some light on a bit later. ![]() This price point, in my opinion, places this capo in the higher tier, elite level of capo… a category that Elliott capos call home. So I have to admit I compared the G7th Heritage capo to my Elliott capo at every chance I could.įirst let’s start with price, The G7th Heritage capo in its basic form comes in right around $139 USD. I think Scott Elliott of Elliott capos makes some of the very best yoke style capos on the market, in particular, the Mckinney Elliott capo. Now I should say this I am a very dedicated Elliott capo user. This is a yoke style capo with a very sexy design (sexy for a capo of course), smooth operation, and some very useful innovations. Funny thing though, G7th is the type of company that never stops innovating or asking players what they want or need out of their capo… which is where their new heritage capo came from.Īs a result of their constant raising of the bar, the G7th heritage capo was born. Namely, their performance and performance 2 capo took the guitar world by storm with their ease of use, reliability, and aesthetic appeal. G7th capos have made quite the name for themselves in the capo world with some very sleek designs. For a while, there was really only one high-end yoke capo option until this company came along… They are beautifully designed to stay on your guitar when not in use, and very easy to recruit when a capo is necessary. I currently use the Shubb Deluxe Series Capo as my main capo and I carry a Shubb Standard Capo in my case as a backup.Yoke capos are one of the most convenient capo types available. It provides a strong hold and can be adjusted on the fly pretty quickly. I like this style of capo the best because it has a slim profile and a strong adjustable clamping mechanism that can be adjusted the same way that a standard wrap-around capo can. Let’s start with my preferred style of capo: the hybrid clamp/wrap-around style capo. Let’s take a look at these three different styles of guitar capos. Too much tension and you can increase wear on your frets. Too little tension and the strings will buzz and you won’t have good tone. They each differ in the way that the capo applies the tension on the neck required to compress the strings, thus raising the register. There are basically 3 kinds of guitar capos, wrap-around capos, clamp capos and hybrid clamp/wrap-around capos. ![]() (Disclosure: Some of the links below are affiliate links, meaning, at no additional cost to you, I’ll earn a commission if you click through and make a purchase.) What is the best capo for bluegrass style guitar? I wanted to create a list of capo options that are affordable but have been proven to hold up to the rigors of touring and heavy use. In this post, I’m going to review the many different kinds of capos that I have used and would recommend specifically for the bluegrass flatpicker. Like guitar picks, almost any capo will work but there are some that are better suited for traditional style guitar playing than others. With so many different guitar capos out there, how do I know which one is best suited for bluegrass style playing and is also of a high quality which will last a long time? Different capos can deliver varying results but which style of capo you use is largely a matter of personal preference. This is true whether you play through a microphone or play plugged in through a DI. ![]() Norman Blake points out that when you capo up, you make your guitar project more through the sound system. This gives you access open strings while soloing and flatpicking melodies at speed. The capo allows the bluegrass picker to play out of the G position in almost any key. The bluegrass guitar capo is one of the most important tools you have in your guitar case for controlling your tone.
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